The story of my painting evolution.
Say you want to start painting but you have no idea where to begin. Let me help you.
I am thirty-seven and I started painting when I was twelve years old. Over the years I have worked my way through watercolours, acrylics, and now I am focusing primarily on oil painting for my personal work. But depending on my mood I will jump between mediums. Maybe my personal experiences can help you to decide what’s right for you.
Before I was introduced to painting I had mainly used pencil crayons for my “serious” artworks. I think because it’s so accessible for so many kids (hello, Crayola) pencil crayons get written off as being kind of a juvenile art form. There are artist quality pencil crayons that can be used to create beautiful drawings – same goes for pastels, charcoal, graphite. But ever since I was introduced to watercolours I have considered myself to be primarily a painter.
Oh and save for school-mandated projects I have never wanted to make a sculpture – I express myself through my brush.
I started out with watercolours and was taught by a real watercolour artist for a number of years. Over time I transitioned from primarily painting with watercolour to dabbling in acrylic, then primarily acrylic until quite recently (summer 2018) when I decided to take the plunge and take up oil painting for my personal paintings. Because I have a lot of experience, I’m comfortable moving between each medium depending on my mood or my vision for the finished work, but for many years now I have tended to gravitate towards heavier-bodied paints (acrylic, oils) for paintings that I think are important or significant.
I still paint with watercolours regularly, but I usually view these sessions as a warm up, or a break from the more serious work I might be focused on with my oils. With my art room set-up as it is, I can just swivel my chair around from my easel and push myself across the room to my watercolours waiting at my art table when I need to switch things up. If you’re open to how the paint behaves and flows, and if you are accepting of some lucky mistakes here and there, watercolour painting can feel very relaxing and just help to loosen you up.
So how do you choose what type of painter you want to be? There are definitely many, many artists who identify primarily with one type of paint and don’t really veer off course to dabble in any other mediums. There are definitely practical reasons for this – from a financial and storage perspective it is definitely easier to focus on one type of painting. And if you are new to painting and trying to learn you will probably be well-served to pick one and stick with it for awhile.
For me, I never felt totally comfortable with using watercolours. I have been able to achieve some level of personal success and sense of control over this type of paint, and I do go back to it regularly, but I just hate that you’re always kind of one wrong brush stroke away from ruining your entire painting. That’s a lot of risk and I’m pretty risk-averse. It’s a very clean type of painting. The paints are so beautiful and translucent and luminous and meant to show the beautiful paper underneath. If you do make a mistake, the work to fix it can ruin the delicate surface of the paper (drawing even more attention to your mistake) or any extra unnecessary layers of paint (to try to cover things up) can take away from the spontaneous properties that make it special to begin with.
So even though I have created some watercolours that I really love, and even have framed around our house, I find this to be the exception for me, rather than the rule. I also tend to prefer watercolour and ink paintings (like my east coast series) because using ink to create more detail within the painting is very attractive to me – it is pleasing in a way that I can’t achieve with watercolour alone. I guess that’s my rigid nature coming out but I like when things are defined and under control. It’s not just paint, it extends to the dogs, my hair… I like to be in charge 🙂
When I was in my teens I started getting into acrylic painting. Oils seemed like too much of a jump and I had to transport a lot of art projects back and forth between school and home so drying time was definitely a concern – acrylic (being water-based) was just the natural next step. I now feel that I like a heavier-bodied paint because I like the feeling that I am “sculpting” an image in two-dimensions on my canvas. Maybe I sound a bit weird but I know my brushes and what they can achieve with what pressure at what angle. One brushstroke can really be so powerful or central to the entire work.
For a long time now with acrylic (and more recently with oil paints), I have practiced painting with a very conservative number of brush strokes. The fewer the better I feel to convey the essence of the subject. When I get away from this, when it gets to be too fussy, too fiddly, something important is lost. All the planning and thought in the world should go into the painting beforehand so that the actual process of painting is very easy. My best paintings are also usually the ones that take the least time to paint.
Even though I feel very comfortable painting with acrylics now, for many, many years I struggled with acrylic paint because I didn’t know how to use it properly. I was trying to paint with acrylic on canvas like I did with watercolour on paper. As a result the paint just seemed too thick to me, it dried quickly, it seemed plastic-y. I couldn’t achieve the details that I wanted to.
If I can offer any advice, my top suggestion would be: for any type of paint you use, you should always buy the best that you can afford. As you go up in price point usually you’ll have a greater pigment load to binder ratio which means that your paintings will automatically look better. That alone will feel like an improvement.
In the past year or so I’ve really levelled up in a big way with my acrylic painting because I started to work with it rather than against it. My approach became more sculptural. I take more time now to consider every brush stroke before it happens. This has been a huge game changer for me.
Other breakthroughs: I started painting in layers and creating an under-painting. I spent a lot of time getting to know the nature of the paint and then one day it really was like a switch clicked for me. I look back on my old acrylic paintings and I just cringe, but I’ve included them in this post to (hopefully!!) show my progress.
Now I really love using acrylics and I continue to use it for all of my commission-based work.
I made the switch over to oil painting this year for my personal projects for a number of reasons. Even though I’ve made a lot of progress dealing with the properties of acrylic paints, I still felt limited by the super fast drying time. There’s a stage during painting when literally the entire painting surface is just tacky-sticky and no good can come of that. That’s the time when bad things happen to good paintings. The level of luminosity and realism I have been able to achieve with my oil painting so far has been so rewarding. I also feel like I can achieve more detail with oil than acrylic. It seems to work better for me when thinned down than acrylic paint – it doesn’t seem to lose its structure as quickly.
So, what do you do if you’re just starting out? What type of paint do you pick if you just want to try painting for the first time and you’re standing in the middle of the paint aisle at your local art store feeling intimidated by all the artsy looking people milling about? What do you do?
For ease of use, watercolour and acrylics are both water-based – water to thin, water for washes on paper and canvas respectively, water for clean-up. Soooooo easy. And actually, oil painting is only slightly less convenient in terms of having to use solvent and painting medium. Really, if I was advising someone on what type of paint to pick if they’d never painted before, I’d ask them to consider their favourite paintings and artists – what medium do they work in?
I put off oil painting for a really long time because I was intimidated. I told myself acrylic painting was basically the same (it’s not!!). The motivation I needed to change came this past summer when I saw the work of Canadian artist Heather Millar at Details Fine Art Gallery in Charlottetown. She is a phenomenal artist, one of my favourite contemporary artists, and such an inspiration to me. I am in awe of her talent and mastery of technique. When I experienced the impact of her beautiful oil paintings in person – I knew I had to try it for myself. I have so much to learn about oil painting, but I am grateful for the change and the opportunity to grow into a medium where I can really express my vision for painting.
No matter what you pick, the progress you make with painting technique and colour theory – it’s pretty transferable to some extent between mediums. If you want to paint, the most important thing to do is to just get started. Like today. Don’t wait. There’s no time like the present. If you want to paint give it a try! And if you do, let me know how it goes in the comments below. Thank you for reading and happy painting!