Tuesday’s Gone.

Hi everyone. I’m getting into the swing of posting regularly but I’m still fiddling with the content. Sometimes it feels more natural to write about things as they are happening, and Day in the Life was popular so it makes me think I should check-in with updates more often?

What do you think dogs?

Sunday I ran around for most of the afternoon trying to get s$#! done. I hate feeling unprepared for the week ahead and usually I just feel antsy on Sundays. I took the dogs for a *cold* run (I have vowed to run everyday possible this winter – no snow or ice, we will be out), cleaned the house, paid some bills, and completed some *boring* paperwork, various forms that have been hanging over my head to be completed.

I work in healthcare primarily but I have a part-time role as a university educator. Once I was done my housekeeping items I also spent a bit of time writing up some notes for an upcoming project and organizing myself for the winter semester starting in January. I bought a new eyeshadow on Saturday so I took a break to experiment with that – really critical stuff ๐Ÿ™‚

I didn’t feel like I was in a good place for returning to the Big Beesa painting on the weekend (too much on my mind and I’m nervous to ruin it now that I like it so much) but I did paint the edges with black acrylic so that’s ready to go when I do return to it… 

Pretty edges…

Why black acrylic? Mars black to be specific (which I don’t love as much as carbon black in Tri-Art but it will do until I make it back to Victory Art Supplies to stock up on more paint). I’m not sure how other oil painters finish the edges of their canvasses, and it’s hard to find reliable information?!? But, I always, always finish the sides of my canvases by painting them black or very dark. Otherwise it looks unfinished and forgotten to me. I wouldn’t want to use oil paint for this because 1. It’s kind of (a lot) pricey for just painting the sides and 2. It’s oil paint, you will literally have nowhere to rest the painting with wet edges while it’s drying for the next 3-6 months. Or you can do one edge at a time for the next year. Anyway, I digress. By painting the sides with acrylic paint now, I can easily paint my background right to the edge of the canvas and the oil paint will just dry on top of the acrylic. It really can’t be done the other way around.

It was a nice to get this little painting housekeeping item to get out of the way ๐Ÿ™‚

New project!

Monday was a completely unremarkable day, still tying up loose ends from the weekend and that kept me away from my art room. It is actually very important to me to try to give meaning to each day, do something productive and not save everything “fun” for the weekend so…

I tried to make up for that tonight. I have been working on a painting of my Swedish cousin’s house, and it is such a pleasant change of direction – it really feels like a little painting vacation. And it’s such a fun house to paint! So many interesting angles. Have you ever seen a house this cute? I’ve been doing some watercolour sketches and working out the proportions, getting to know the house. Mainly I’ve been feeling jealous because it is such a beautiful home, as I’m painting I’m thinking, “I wish I lived here!” My lack of Swedish language skills would really hinder me I think but still – I am envious of this gorgeous house on a hill.

I haven’t used a ruler on purpose, I like freehand watercolour and ink paintings of buildings. Here’s how it’s evolving:

Ink sketch with various Sharpie markers in my all-purpose sketchbook.
So much prettier with colour. I love this little painting.

First sketch and watercolour. This took about half an hour. I love this angle and the suggestion of height.

On Tuesday night I opened up my Arches watercolour bock (140 lb, cold press, 12 x 16″) and started to sketch the house from a different angle using a Sharpie fine-point pen. This is wear I really missed the Canson mixed media board – the watercolour paper totally dries out my pens, even when brand new and I just feel like the lines aren’t as crisp and strong as I would like – more like weak and tepid. I’ll have to consider this a bit more for the final painting but this was just a sketch for fun. 

Took a pic and a break here to go to kickboxing.
Finished the sketch after dinner. I just couldn’t stay away.

When I finished the sketch it was after nine. We took the dogs for their bedtime walk and then I decided I really wanted to lay some watercolor down. Mainly I was excited to be able to share pics with my cousin and I wanted to see it transformed with some colour. 

Honestly I just couldn’t resist finishing the whole painting ๐Ÿ™‚ 
All the pretty angles.
Altogether now.

The Swedish house got a little too crooked in my free-hand drawing (yikes!) which is something I’ll have to keep under control for the final painting. But I’m really happy with the direction it’s going in and it’s a fun excuse to message my cousin ๐Ÿ™‚

Oh, and I couldn’t resist ending the evening without sketching Screaming Beesa. I can’t wait to start this painting, the final installment in the Beesa Series ๐Ÿ™‚ It’s pretty rough sketch, but it gives you an idea of the direction things are moving in. 

Beesa, starring in “The Scream”

Thanks for reading! Have a great day!

This is a cat.

This is a painting of my sweet cat Beesa. It is also my first oil painting. The title is my idea of a cheeky reference to Magritte’s famous pipe.ย 

Beesa is our first and oldest pet. We are bad and have lost track a bit but she’s around fifteen years old. Beesa is a Bengal cat, and she is registered with The International Cat Association under Jabara Asia. When we brought her home, Asia quickly morphed into the name Beesa, and if you met her you would definitely agree that is her name. If you call her name she will come trotting from anywhere in the house. She likes to chat with you and makes a noise that sounds something like, “Heeeeeeeeeeee” to emphasize her points. She is very little and we call her the micro cat. Everyone who meets her is shocked to find out she is so old, she is still spry as a baby kitten.ย Given Beesa’s micro size I thought it would be really nice to paint her portrait gigantic-in-comparison. What she lacks in size she certainly makes up for in personality. ย 

About six months after I took up painting seriously again in 2018, I started to question whether acrylics were the ideal medium for me. My biggest issue with acrylic paint is that it dries way too quickly for my liking. Even using Golden retarder medium liberally I’d always get to that awkward tacky paint stage where the brush is nearly dry and starting skipping across the canvas. Not what I want. I want to blend and have time to really work with the paint. I really had the sense that it was time to move over to oil paints. However, other than an incredibly unfortunate looking self-portrait painted in oils for a grade 11 art project (*think every tooth painted individually*shudder*), I didn’t have much experience. The oil paints themselves were a pretty significant financial investment, I was worried about having to use solvent to clean up, and I really found the number of available mediums to be totally overwhelming. Like what on earth is “oil spike of lavender”? The corner housing oil paints and mediums at our local art store was more like a witch’s pantry. ย 

Now maybe I have too much time on my hands but this transition ended up taking forever. Like many months. I researched every detail. I spent a long time obsessing over which oil paints to start with (finally decision: Old Holland professional quality paints) and which mediums to use (that was really, really difficult but ultimately Gamsol and Galkyd). When I had everything purchased and organized, and my husband surprised me with the gift of a second H-frame easel just for my oil painting I came up against an enormous wall – how to transfer my drawing to the canvas for the oil painting? I read somewhere that graphite will “swim” to the top of an oil painting and ruin everything in 100 years. But if not graphite then what? I searched for old school overheard projectors on Kijiji, and finally went as far as to email Gamblin paint company directly for their opinion (their answer? ultimately it probably doesn’t matter). In the end I discovered white saral wax-free transfer paper. Used on top of a canvas prepped with neutral burnt umber this has turned out to be an absolutely awesome solution for transferring images.ย 

But I digress. I love the Beesa painting. It may just be my most favourite painting I have ever painted to date. I love that Beesa probably weighs less than two pounds and her portrait is 24×24″ It is like a million times bigger than her. And then there is the paint: From the first swatches of Old Holland oil paint I was in love. I love, love, love the luminosity and intensity of the colours. Even professional quality acrylic paints don’t stand a chance against Old Holland oils. I loved painting for a few hours, taking a break and coming back to a still totally workable painting. I felt like I planned this painting and this transition for so long that when it came time to actually put brush to canvas the whole thing flowed really naturally. And isn’t that when our best work is bound to happen?

I put a lot of thought into preparing my canvas before finally getting started and it was well worth it. For anyone interested in trying their hand at oil painting, stay tuned for a video tutorial detailing how to start an oil painting and some introduction to oil painting posts all coming up soon!